The Gina concept car is the car that made me rethink BMW. It’s a masterpiece of engineering and innovative thinking.
Probably the first car I fell in love with. I was in high school and all I could afford, of course, was the owner’s manual (which I still have somewhere).
If I ever had a car collection, it would be of the “people cars” and this would be the first exhibit. Up until the year 2000, more Citröen 2CVs were produced than any other car in the world. I’d have the VW Beetle and Honda Civic in the collection, but neither of those is the same as the 2CV.
Artists and Designers I admire…
I’m fortunate to own a few pieces by Issey Miyake, including a tuxedo with shorts, and I get a thrill just walking into one of his shops to see what’s new. My parents took me to an exhibit at the SFMOMA when I was in high school which changed my concept of design and fashion.
Charles and Ray Eames are inspiring on so many levels but I still imagine lying in their Chaise, dreaming of new solutions.
Giorgetto Giugiaro is the car designer who made me realize that cars were more than merely their styling.
I was fortunate to grow-up influenced by this remarkable artist who’s work I’m also fortunate to fill my home with.
I came upon Tatsuo Miyjima’s work for the first time in an exhibition in the Pompidou. It was quiet, thoughtful, and powerful all at once.
Like the Lotus Esprit, the designs from Bang & Olufsen educated me about design when I was young. They’re visions continue to innovate the home media industry.
Buckminster Fuller was likely the first futurist and he put his ideas into practice, learning by building. His philosophies and observations about society, life, and the planet are just as applicable today as in his.
Paolo Soleri is another original designer and futurist who learned by building, even if his first arcology has yet to be finished.
Luigi Colani redesigns just about everything in his wild, crazy, stunningly beautiful and original way.
Richard Saul Wurman is one of my mentors. I started working with him in college at TheUnderstandingBusiness.
Many more to add, of course…
The Information Machine (1958, Charles and Ray Eames)
Why Man Creates (1968, Saul Bass)
Powers of Ten (1978, Charles and Ray Eames)
Blade Runner (1982, Ridley Scott)
The Pillow Book (1996, Peter Greenaway)
The Fifth Element (1997, Luc Besson)
The Matrix (1999)
Crouching Tiger, Hidden Dragon (2000)
more to come…
The Next Fifty Years edited by John Brockman
Tomorrow Now Bruce Sterling
The Third Wave, Heidi and Alvin Toffler
Building a Bridge to the 18th Century, Neil Postman
Natural Capitalism, Paul Hawken, Amory Lovins, L. Hunter Lovins
Cradle to Cradle, William McDonough and Michael Braungart
Sex, Time, and Power, Leonard Shlain
The Alphabet vs. The Goddess Leonard Shlain
Art & Physics, Leonard Shlain
Snowcrash, Neal Stephenson
Neuromancer, William Gibson
The Diamond Age, Neal Stephenson
Idoru, William Gibson
Generation X, Douglas Coupland
Microserfs, Douglas Coupland
Godel Escher Bach, Douglas R. Hofstadter
Like Water for Chocolate (1993, Alfonso Arau)
Guns, Germs, and Steel by Jared Diamond
Genome by Matt Ridley